Post Production/DI
Post production, editorial, conform and mastering. Digital Intermediate support and color timing.
Visual Effects Editorial
Senior VFX Editor with over 10+ years experience. Client-side or Studio-side VFX editorial. Color management and ingest and delivery.
Email: bonstonelive@gmail.com - Call or Text: 510.846.5832
Shoot/Edit/Graphics/Post
From shooting original content, to editing, graphics and vfx to final post production and delivery for marketing, commercial and technology.
Music Videos and Lyric Videos
Your footage, stock footage or new footage cut to your song as a full-fledged music video or a lyric video with animation or full-motion video.
Bio
I’m a commercial, film and episodic editor, VFX artist and post-production professional based in the San Francisco Bay Area.
I began my career as a post-production technical assistant and eventually a supervisor in commercial post production in San Francisco, CA. I made my way to Industrial Light & Magic in Marin County (and eventually back to San Francisco, CA) as a technical operations supervisor and then a visual effects editor.
I was part of the DI and digital mastering team for the Star Wars Prequels “Attack of the Clones” and “Revenge of the Sith”. I then became the lead online editor for “The Clone Wars” animated series for Lucasfilm. I pivoted to ILM’s VFX production as a vfx editor beginning with “Jurassic World”.
I then moved over to Lucasfilm Animation as an Associate Editor for the Star Wars: Resistance animated series. There I helped edit the final cuts of each episode to final mastering and broadcast.
I returned to vfx editing at other facilities around the globe, in Malaysia and Canada where I worked on films such as “Aquaman”, “Star Wars: Rise of Skywalker” and the series “The Mandalorian” and “The Lord of the Rings: The Rings of Power” at Base FX and Method Studios. Then I returned to Northern California working remotely for Assembly (New York) on episodic shows for streaming such as “The Crowded Room” (Apple TV+), “Mrs. Davis” (Peacock) and “The Gilded Age” (HBO).
I’ve since moved on to feature and episodic television editing, vfx production and post supervision. I’ve worked with a plethora of clients in the SF Bay Area on various types of projects for Apple, Juniper Networks, Facebook and Google.